Quiet Currents of Emotion – Ann Hui’s “A Simple Life”

Andy Lau and Deanie Ip in Ann Hui's A Simple Life.

Although Hong Kong cinema is best known in the West for its kinetic, over the top action, it has an equally venerable tradition of family melodramas rife with tear-jerking tragedy. Alex Law’s Echoes of the Rainbow is but one recent example of this long standing genre. A Simple Life (Tao Jie), the latest effort from HK legend Ann Hui, fits into this filmic lineage, but it’s at the more restrained end of the melodramatic spectrum – a brooding, melancholy take on life’s meaning rather than an unabashed weepie.

Newsbites: Sheffield, Censorship, Jia Zhangke’s Beijing Cinema, and Salacious Gossip

Me, sorry? Never! The new documentary Ai Weiwei: Never Sorry has been getting the Chinese embassy in London hot under the collar.

It’s been a very long time between posts here at Screening China. Fear not, the blog is still alive – I’ve just been a little swamped by thesis and article writing, various curating duties and five weeks in China. There’s been a lot going on in Chinese film, so here’s a quick round up of news over the past month or two (apologies for the fact that some of this is quite old!)

Chinese Delegation Pulls Out of Sheffield Doc/Fest

Earlier this week the Chinese diplomatic service launched another offensive in its campaign to confirm the image of the Chinese government as repressive, censorial and generally uptight by demanding that Sheffield Doc/Fest, one of the world’s best known documentary festivals, drop Alison Klayman’s Ai Weiwei: Never Sorry from its program. RealScreen reports:

Newsbites: Jackie Chan's 100th Film, China's Big Presence at Venice, and the CCP's Renewed Interest in Culture

Kevin Spacey checks out Gong Beibi in his first Chinese feature, Inseparable, unveiled this month at Busan.

I’m conscious Screening China has been quiet for the past month, as I’ve been tied up with my thesis and a few other things such as the recent World Cinema Now conference at Melbourne’s Monash University, where I gave a paper on Chinese documentaries. I’ve also been busy catching up on a whole lot of older Chinese film titles which I’ll blog about in the coming weeks. But first a news round up of what’s been happening in Chinese film over the past month. You may also notice the blog has a new look, which is hopefully more reader-friendly.